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Publisher: Linda Marric
Bio: Film Critic for The Jewish Chronicle @jewishchron. Reviews Editor for @HeyUGuys. Bylines: @DailyMirror @Empiremagazine @LondonEconomic Own views. KCL alumna.

Countries - UK / 2019 / genre - Romance / Brief - Hope Gap is a movie starring Josh O'Connor, Bill Nighy, and Annette Bening. A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother / William Nicholson / William Nicholson. Best movies of 2019 Toy Story 4 and A Beautiful Day In The Neighborhood. This looks amazing 😍. 29 yrs dang. is he coming out. 2 / 5 stars 2 out of 5 stars. The Oscar nominee wrestles with an ill-fitting British accent playing a woman whose life crumbles after her husband leaves for another woman Annette Bening plays the gregarious and needy wife Grace in Hope Gap. Photograph: Robert Viglasky A s well-trodden as the subject might be, there remains something horribly compelling about watching the end of a marriage play out on screen, the uneasy little details of what happens when someone switches to I Don’t proving hard to resist. In Hope Gap, Oscar-nominated screenwriter William Nicholson’s second film as director, we’re given an all-too-familiar set-up (husband tells long-serving wife that he’s leaving her for a younger woman) and the stage is set for blistering quarrels, messy untangling and two awards-aiming performances. But despite the clear dramatic potential of the wounds of divorce, proved time and time again by films ranging from An Unmarried Woman to this Oscar season’s Marriage Story, Nicholson fails to give his film the specificity and emotional depth required to make it seem necessary. We’ve been here before and nothing in the film’s 100-minute length truly justifies why we’re back here again. In the coastal town of Seaford, Grace (Annette Bening) and Edward (Bill Nighy) share a modest life, a comfortably learned dynamic set firmly, perhaps boringly, in place after 33 years together. Grace is gregarious and needy, Edward reserved and serious, and while her desire for more affection and vocal reassurances might cause mild tension, her pleas have become part of the script they’re both used to playing out day after day, year after year. But when Edward urges their son Jamie (God’s Own Country’s Josh O’Connor) to return for the weekend, it soon becomes clear that something is brewing. Grace’s paranoia over Edward’s lack of eye contact and nervousness around her is suddenly, abruptly justified when he announces that he’s leaving her for another woman. While there’s a nervy propulsion behind these initial scenes, especially during Edward’s painful pre-dump prep, the breakup happens so soon into the film that we’re left scratching our heads over what’s to come next. It turns out the answer is largely nothing and in place of a plot, there’s a repetitive cycle of crying, beach-walking and moping that might have felt less plodding if we had more investment in the couple at its centre. Their relationship is painted with recognisably broad strokes (the nagging wife and repressed husband) and despite two inarguably accomplished actors, there’s a niggling disconnect. Nighy’s well-meaning, if unacceptably cowardly, husband is played with an affecting subtlety but a miscast Bening struggles to match him. She’s hampered with an ill-fitting British accent she’s never truly comfortable with and so much of her performance is muddied by her struggle to sound believable as a Brit that little room is left for her to seem believable as a person. It’s ultimately as awkward for her as it is for us. There are glimmers of insight along the way, particularly in how Grace compares a divorce to a murder and how spurned women are devalued in comparison with widows, but it’s mostly surface. Introducing their son as a key component is an interesting move but it’s never one that really pays off and Nicholson’s attempts to capture twentysomething life border on embarrassing. There’s the odd excursion into the city and a handful of supporting characters but it’s mostly a three-hander in a limited number of locations. Aware of how stagey this might seem, Nicholson and cinematographer Anna Valdez-Hanks do offer up some stunning coastal vistas but matched with a swelling score, we’re left craving a narrative of equal weight and as devastating as Grace’s predicament is, the pathos never comes. Divorce is painful but Hope Gap isn’t damn near painful enough. Hope Gap is showing at the Toronto film festival.

Hope netflix. Watch movie characters HOPE OnliNe Hindi Film LiVe SteamiNg... This movie isn't a bio pic. It's a feature-length episode of the tv show—for adults. Hope Gap Free stream. Why aint Liam Neeson beating up somebody in this movie. 10 star rating for this cinema. I loved it the way of direction.

Yeaahhhh. excited for this 😍. Hope Gap Free streaming sur internet. Thank you William Nicholson for saving my Dinard Film Festival 2019. After viewing several so un-innovative "real stories" Red Joan, Fisherman's Friends) and "social realism" films (The Last Tree, VS - even though VS's world of rap battles was fascinating) I was getting really disappointed in British cinema.
Hope Gap made up for all that. It is beautifully acted (Annette Bening is extraordinary) deep and subtle, and does carry you away.

Finally we could see the trailer after long wait... but yes it was worth... congratulations Parjakta... stay blessed. Hope gap free stream reddit. Hope Gap Free stream new. A great three hander dealing with relationships in a real way without being banal. Great use of dialogue and poetry. A mature movie that s satisfying without being trite. Damn excited fr this! Its amazing 😍😍. I am gonna watch it just because of that soundtrack in the trailer. Hope Gap Free stream online. Hope Gap Free. Anyone else catch the cameo of his real wife in the “moment of silence” scene. Ohhooo that's a new thing I really love to watch this wowwoowhoo. Always perfect Anne Bening.

Hope Gap Free stream.nbcolympics. Dir-Scr William Nicholson Prod Sarada McDermott, David M Thompson With Annette Bening, Bill Nighy, Josh O’Connor UK 2019 100min UK Distribution Curzon When web designer Jamie (Josh O’Connor) returns to his parents’ bohemian coastal home for the weekend, he’s prepared for the theatrics of poetry editor Grace and history teacher Edward as they argue in the kitchen. But when Edward pulls Jamie aside to reveal that after 29 years of marriage he’s had enough and his bags are packed, it’s clear that an almighty storm is about to descend. It turns out that Hell hath no fury like a 60-something divorcée. Annette Bening gives a barn-storming performance as the acidic and often unreasonable Grace, firing out snappy one-liners whilst undergoing an emotional apocalypse, and Bill Nighy is superb as a quiet man who just wants to update Wikipedia in peace. Shot with a ravishing sense of design and colour, making the most of its lush English coastline, this is an emotionally astute portrait of a marriage; of regrets uncovered, decisions made too late and the precariousness of hope. Kate Taylor Festival guests This member of the filmmaking team is expected to attend the festival: William Nicholson, director. See the full list of visiting festival guests. Please note that we can't guarantee guest attendance at any particular screening. Additional information Special £5 tickets for 25 & Under are bookable in advance at. See our LFF Connects: William Nicholson.

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Not. the science guy. Very enjoyable drama about an couple whose marriage is strained and break up and the effects on each and their grown son. Some humour but a serious film. Performances are first class and as usual Annette Bening is outstanding. John O'Connor (Gods Own Country) also is a stand out. Damn i was born into a world without knowing this kind soul before he died. Exitos don medardo. Hope Gap Free stream new albums. Nooo. Why is Tony fecking everywhere. SCRUBS SONG! D. Literally so proud of you💞. Don Medardo y Sus Players Orquesta Ecuatoriana Junto a Gustavo Velasquez transformaron la hermosa música Andina: Peruana, Boliviana, Ecuatoriana, Colombiana en hermosas melodías al ritmo de cumbia y pusieron a bailar a generaciones enteras en Ecuador, Colombia y Perú. Arriba la música Andina Carajo. y Mejor Interpertadas por esta orquesta de hermosas y talentosas Mujeres Colombianas.

Excelente talento señoritas. Muy hermosas todas, éxito siempre. Gran homenaje a una gran orquesta Don Medardo. Orquesta que también he admirado siempre. Gloria a Dios. Que señor tan guapo con una voz increíble y una presencia incomparable. I was reluctant to watch the movie because I thought it's one of those cheesy drama types but it is actually very very good. I'm not American so I wasn't aware of Fred Rogers growing up but now I wish I had been. Thanks for this movie.

This is gonna be amazing... Ready for additional dose of positivity n girl power #mostlysane #ur rocking girl #lovelove. waitingggggggggg. Sometimes we have to ask for that's okay. Hope Gap Theatrical release poster Directed by William Nicholson Produced by Sarada McDermott David M. Thompson Screenplay by William Nicholson Based on The Retreat from Moscow by William Nicholson Starring Annette Bening Bill Nighy Josh O'Connor Aiysha Hart Ryan McKen Steven Pacey Nicholas Burns Music by Alex Heffes Cinematography Anna Valdez Hanks Edited by Pia Di Ciaula Production company Origin Pictures Protagonist Pictures Screen Yorkshire Lipsync Distributed by Curzon Artificial Eye Release date 6 September 2019 ( TIFF) 12 June 2020 (United Kingdom) Running time 100 minutes Country United Kingdom Language English Hope Gap is a family drama film written and directed by William Nicholson. It stars Annette Bening, Bill Nighy, Josh O'Connor, Aiysha Hart, Ryan McKen, Steven Pacey and Nicholas Burns. It had its world premiere at the Toronto International Film Festival on 6 September 2019. It is scheduled to be released in the United Kingdom on 12 June 2020, by Curzon Artificial Eye. Premise [ edit] A family deals in the aftermath of the shock revelation that a husband plans to end his 29 year marriage to his wife. Cast [ edit] Annette Bening as Grace Bill Nighy as Edward Josh O'Connor as Jamie Aiysha Hart as Jess Ryan McKen as Dev Steven Pacey as Solicitor Nicholas Burns as Gary Rose Keegan as Receptionist Nicholas Blane as Priest Sally Rogers as Angela Production [ edit] The project was announced on October 31, 2017, with William Nicholson helming and writing the story, and Annette Bening and Bill Nighy cast to play the husband and wife at the centre of the film. [1] Pre-production began on June 11, 2018, with principal photography starting on July 10. [2] Filming occurred in Seaford, Sussex. [3] Release [ edit] In May 2019, Roadside Attractions and Screen Media Films acquired U. S. distribution rights to the film. [4] It had its world premiere at the Toronto International Film Festival on 6 September 2019. [5] [6] It is scheduled to be released in the United States on 6 March 2020. [7] It is scheduled to be released in the United Kingdom on 12 June 2020. [8] References [ edit] ^ Annette Bening & Bill Nighy To Star In William Nicholson’s ‘Hope Gap’ – AFM ^ Hope Gap begins... ^ Hollywood royalty has come to Seaford to film scenes for a new movie ^ N’Duka, Amanda (May 9, 2019). "Roadside Attractions, Screen Media Nab North American Rights To 'Hope Gap ' ". Deadline Hollywood. Retrieved May 9, 2019. ^ Lang, Brent (July 23, 2019). "Toronto Film Festival: 'Joker, ' 'Ford v Ferrari, ' 'Hustlers' Among Big Premieres". Variety. Retrieved July 23, 2019. ^ "Hope Gap". Toronto International Film Festival. The Numbers. Retrieved 10 December 2019. ^ "Hope Gap". Launching Films. Retrieved 4 November 2019. External links [ edit] Hope Gap on IMDb.

Bening and Bill Nighy face off in William Thompson's fussy, unfocused adaptation of his own play. Hope is indeed in short supply in William Thompson’s fussy, dour divorce drama “ Hope Gap. ” Adapted from Thompson’s own play (the more intriguingly titled “The Retreat from Moscow”), “Hope Gap” picks up nearly three decades into the marriage of Grace ( Annette Bening) and Edward ( Bill Nighy), and about 10 minutes before the union’s total collapse. Run through with the requisite tropes of a divorce drama — the tear-stained arrival of divorce papers, spying on the “other woman, ” talking trash to the child caught in the middle — “Hope Gap” finds little new ground to tread, though Bening’s ability to transform a dull role bolsters the film’s second half. Introduced through a series of voiceovers meant to set up the film’s three primary characters — a conceit that gets old fast, only to reappear at random moments throughout the rest of the film — “Hope Gap” opens with son Jamie (Josh O’Connor) musing about the film’s eponymous location, a local spot that once held happy memories for his family of three. Soon enough, mom Grace is ambling nearby, merging her own voiceover (this one about poetry; you know she’s British because she quotes Yeats at random) with the more downbeat ruminations of husband Edward, who prefers nattering about ancient history. Why any of this should be delivered via voiceover? The film never answers that question, and even the seemingly important observations (“I never asked myself what she was thinking, or if she was happy, ” Jamie muses in the film’s opening minutes about his own mom) all but beg for a different mode of expression. The three-act structure of Thompson’s play is most apparent in the film’s first minutes, which hinge on a visit from Jamie that happens just as his father prepares to leave his mother for another woman. No one in the family is very happy, but Grace’s delusion borders on the embarrassing. As she flits through the unbearable first 20 minutes of “Hope Gap, ” Bening vacillates between giddily unpacking the “magic” of candles, flipping tables out of anger, staring dolefully at Edward, and making fun of Jamie for living alone. Nowhere in that mess, however, does there seem to be a real person. Nighy’s Edward is distant and cold to the point of comedy, as if the beloved actor was poking fun at his worst dramatic roles instead of inhabiting a fresh one. Jamie is struggling with his own relationship problems, which (of course) dovetail with his parents’ issues. “Maybe you just weren’t there for her enough, ” a friend says as he whinges about a derailed love affair. (Jamie’s two best friends emerge as the only reasonable people in the film, and they are firmly relegated to supporting status. ) “Hope Gap” Roadside Attractions As a mechanical Edward tells his only child he’s leaving his mother, the film’s biggest blunders become insurmountable. Edward hems and haws over train schedules while Jamie just looks annoyed to be there, as Grace natters about without realizing her entire life is about to implode. It’s so intimate that it’s painful, but with little to link audiences to the troubles of this trio, “Hope Gap” cannot inspire anything beyond vague pity and secondhand embarrassment. Soon enough, you’ll be begging for Edward to get on with it, leave Grace, move out, move on, and free everyone from this trauma. Thankfully, it gets better. As “Hope Gap” moves away from the doom-and-gloom of the inevitable breakup (and the film makes a strong case that the dissolution of Grace and Edward’s marriage was inevitable), it finds real emotion in its quieter moments. While it’s still beholden to dull screaming matches and a baffling number of comparisons between real life and Wikipedia editing (yes, really), some bigger swings do succeed, like when a shell-shocked Grace keeps “seeing” Edward sitting in their house long after he’s gone. It’s the kind of moment that’s been done to death in films of this ilk, but Bening’s ability to twist Grace into new shapes as the film plods on adds previously unforeseen dimension. Shots of dark humor (Grace adopts a dog she names Edward, and she loves to teach him new tricks) spark the film’s second half, and Bening finds fresh complexities in Grace and actual empathy that was previously in short supply. Thompson never brings that same zing to the deeper questions of “Hope Gap” — What’s so bad about being selfish? Why shouldn’t these emotions be messy? — and a thin exploration of suicidal ideation only exists as a dramatic conceit for a flailing feature. However, Bening’s ferocity is strong enough to pull the film to its strange ending. Everything must end (marriages, movies, mediation sessions), but it’s only Bening that comes through “Hope Gap” with more to show for it, finding something better on the other side of something terrible. Grade: C+ Roadside Attractions will release “Hope Gap” on Friday, March 6. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

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